李禹賢 (LI Yu-xian)
李禹賢先生，號勁草，又號琴童，山東桓台人，一九三六年出生，二Ｏ一一年因病逝世於福建。十六歲時受張正吟之啟蒙，後從學操縵於夏一峰，一九五六年在上海音樂學院附中時，受業於劉景韶、張子謙，課餘時又向管平湖、吳景略等大師請益，博採各家之長，而形成自己的風格。其在琴學研究上的著述屢獲殊榮，被評為國家級非物質文化遺產古琴藝術代表性傳承人。他嘗在福建省藝術學校執教，又於一九八六年創辦“勁草琴堂”，培育琴界新秀。一九九九年創立厦門古琴學會，二ＯＯ一年又創建福建古琴研究會，並任會長。 LI Yu-xian was born in 1936 and passed away of illness in 2011 in Fujian. His name was Jin-cao and other name was Qin-tong. His ancestral home was in Huantai, Shandong Province. When he was sixteen, he learned the qin under ZHANG Zheng-yin and further studied under XIA Yi-feng. In 1956, he was admitted to the Shanghai Conservatory and Studied under LIU Jing-shao and ZHANG Zi-qian. He always visited and studied under GUAN Ping-hu and WU Jing-lue. He has proclaimed as one of the representative successors of qin music of the Intangible Heritage of Humanity by Cultural Department of China. In 1986, he founded the Jin-cao Qin School. In 1999, he established the Qin Society of Xiamen. In 2001, he founded the Fujian Qin Association and was appointed the chairm
曹正 (CAO Zheng)
古箏教育家曹正，一九二○年十二月三十一日出生於遼寧省新民縣，一九九八年四月十三日病逝於北京，曹氏原名郭緝光，後易名為曹正。一九三六年，得姑父之助到北平，參加民間社團「道德學社」，得晤該社河南箏家魏子猷及其學生婁樹華，並拜婁為師學箏，一九四五年，又得婁師引薦，拜梁在平門下習箏，一九四八年春，經程午加介紹在南京國立音樂院任教古箏一學期，其間，向夏一峰習古琴，同年，與范樂天、鄭培新、童宜風等人在徐州發起成立「薰風箏社」，一九五○年，曹氏調瀋陽魯迅藝術學院任教，並於一九五七年至一九八九年期間，分別往西安音樂學院及上海音樂學院各任教一年。在瀋陽任教期間，與朱郁之合作，將箏曲《漁舟唱晚》改編為高胡與箏二重奏，廣為流傳，並獲遼寧省音樂創作一等獎。一九六四年秋，中國音樂學院在北京成立，被調往該院任教。曹氏為北京古箏研究會第一任會長。 CAO Zheng CAO Zheng was born on December 31, 1920 in Xinmin, Liaoning province and passed away of illness on April 13, 1998 in Beijing. He was originally named GUO Ji-guang. In 1936, his uncle introduced him to join a local society in Beijing, where he had a chance to learn the zheng under WEI Zi-you of the Henan school and also his student LOU Shu-hua. In 1945, he was introduced by Lou to learn the zheng under LIANG Zai-ping. In 1948, he was recommended by CHENG Wu-jia to teach the zheng in the Nanjing National Conservatory for a term. During that time, he lear
程雨雨
程雨雨，中國音樂學院講師，中國民族管弦樂學會會員，中國琵琶專業委員會會員。2002年獲文化部全國民族樂器獨奏比賽琵琶專業組金獎，2005年獲文化部全國器樂大賽“文華獎”琵琶青年專業組金獎。2013年8月榮獲2013海內外江南絲竹邀請賽金獎。2008年8月8日參加北京第29屆奧運開幕式演出。多次參加中日韓亞洲音樂會，擔任琵琶協奏。近年來多次出訪澳大利亞、瑞士、義大利、奧地利、德國、盧森堡、埃及、韓國、新加坡、馬來西亞、越南以及中國港澳地區，並在大陸各地巡演。
侯作吾 (HOU Zuo-wu)
侯作吾先生，名卓，又名遇辰，祖籍四川省營山縣四喜場人，一九一Ｏ年出生於家鄉，一九六三年初，在四川音樂學院任教時，因患食道癌，往上海醫治無效逝世。侯先生自幼牲敏好學，尤愛琴藝繪畫，一九三三年畢業於上海藝專，後放洋日本求學，竟逆父意，棄政從藝。回國後，參加上海古琴界雅集，鼓彈自己創編的《高山流水》，名噪浦江。新中國成立後，侯先生先後任職中央音樂學院、上海音樂學院、四川音樂學院，教授古琴，又與楊蔭瀏先生整理出版《古琴曲匯編》，他是我國第一個將古琴減字譜譯成五譜出版的人。 HOU Zuo-wu was born in 1910 in his ancestral home Yingshan County, Sichuan Province and he passed away of illness in early 1963 in Shanghai. He was fond of arts, especially in playing the qin and painting. In 1933, he graduated from the Art Academy of Shanghai and went abroad for further study in Japan. After coming back from abroad, he visited the qin players in Shanghai and got fame in playing his arrangement of High Mountains and Flowing Water. After the formation of the new China, he taught the qin in Central Conservatory, Shanghai Conservatory. Sichuan Conservatory. He was the first man to translate the traditional qin scores to the staff and published the Music Scores of Guqin together with YANG Yin-liu.
孫欣 (SUN Xin)
青年古箏演奏家孫欣，出身音樂家庭，六歲習箏，歷經名師，邱大成、許菱子、王中山、李婉芬等現代箏宿教導，受到嚴格、系統、全面的訓練培養，加以其天資聰穎，與音樂有深緣，在她習箏的二十年中，名師提耳嚴訓，家長諄諄鼓勵，鮮花獎項相伴，故心無旁騖，專心致志。古人云「學固一也」。孫欣性格剛烈直爽，對工作兢兢業業，對朋友坦誠直言，天真活潑，冰清玉潔，其人其箏玉中之錚錚者。 SUN Xin SUN Xin was born in a musician’s family and started to play the zheng when she was only six years old. Her teachers, QIU Da-cheng, XU Ling-zi, WANG Zhong-shan and LI Wan-fen are all renowned zheng masters with different characteristics. Some are known for their remarkable craftsmanship, some for their inspiring performance, some for their originality and brilliance. The art of zheng play has also stained full maturity, after systematically incorporating different schools. Therefore, today’s young musicians have received strict, systematic and comprehensive training. She is very smart and has very good aptitude for music. For the twenty years after she picked up the instrument, competent teachers have given her strict training and her parents have made positi
黃翎欣
黃翎欣，琵琶演奏家。畢業於香港演藝學院中樂系，先後獲音樂學士(榮譽)學位及演奏音樂碩士(琵琶)學位，主修琵琶，師承陳敏莊和張瑩。曾多次榮獲「匯豐銀行慈善基金──香港內地學生交流獎學金」前往北京隨琵琶大師楊靖、張強及劉德海等學習，2005至2008年連續三年以優秀的成績，奪得「香港賽馬會獎學金」。黃氏曾在香港學校音樂節中屢獲殊榮，包括琵琶深造組冠軍及粵華琴行杯等，近年亦獲「2012 CCTV民族器樂電視大賽」傳統民間組合銀獎、「廣東省第二屆中國民族器樂大賽」合奏類節目金獎、「青樂杯」第二屆國際琵琶大賽專業青年獨奏組銀獎。曾先後擔任多個中樂團的琵琶首席、香港演藝學院兼職講師及澳門演藝學院琵琶專業導師，現為竹韻小集樂團聯合首席、凝音樂坊團長及玥琵琶室內樂團團長。先後於香港、澳門及台灣舉辦音樂會，以及為多間大學舉辦導賞音樂會，並於香港電台錄音，廣獲樂迷及音樂界人士的肯定。曾以獨奏者及團員身份多次出訪內地、台灣、新加坡、日本、德國、荷蘭、奧地利、比利時、法國及美國等地。首演作品包括王惠然的琵琶協奏曲《故土》及茅沅的琵琶與交響樂團作品《舞影》等；亦曾為「粵樂教科書」出版計劃及嶺南大學「中國音樂的風格」計劃灌錄CD。2018年舉行「瑩音．凝音．黃翎欣琵琶獨奏會」，廣獲好評。黃氏先後與香港話劇團、香港舞蹈團、桃花源粵劇舍作跨界演出，拓展琵琶與不同藝術結合的無限可能。
蘇思棣 (SOU Si-tai)
蘇思棣先生，一九四九年出生於廣州，大學時主修中國書畫。早年曾隨黃權先生習簫笛，後隨蔡德允女士習古琴，近年又隨蔡昌壽先生斲琴。現為本港德愔琴社社長。並任香港中文大學與浸會大學音樂系古琴導師。多年來有關古琴之活動如琴學研究、打譜、斲琴等均有涉獵，亦常參與演奏、講座、示範、教學、錄音等活動。曾參與策劃“清角遺音”與“海天秋月”古琴文化展覽。亦曾在中、港、台、日、比、瑞、奧、荷、德、美等地作古琴演奏。 SOU Si-tai was born in 1949 in Guangzhou, Huangdong Province. When he was in university, he studied the Chinese painting. He was fond of Chinese wind instruments and studied under Mr. HUANG Quan. Later on, he learned the qin under TSAR Teh-yun and also learning qin-making under CHOI Cheong-sau. He is now the chairman of the Deyin Qin Society and the qin teacher of the Music Department of the Baptism University.
羅小慈 (LUO Xiao-ci)
青年古箏演奏家羅小慈，出生於江蘇省泰州市。在父親羅天成的悉心指導下，五歲習書畫，七歲習箏。八歲時，其書法作品已隨江蘇省教育考察團赴日本進行交流。十三歲，考入上海音樂學院附中，同年，獲「ART杯中國樂器國際比賽」少年專業組二等獎。畢業於上海音樂學院民族音樂系，先後師從閻愛華、郭雪君、何寶泉、孫文妍等教授。求學期間，深得中國音樂學院古箏藝術家王中山先生、趙曼琴先生的頗多教益。現為上海民族樂團獨奏演員。她以獨奏家的身份應邀參加了中國藝術節開幕式，第四屆中國京劇藝術節開幕式，第七屆世界文化部長年會等演出活動。其演出足跡遍佈世界各地，維也納金色大廳、香榭里舍大劇院、漢堡國會中心、聯合國教科文大廳、烏克蘭國家歌劇院等都曾留下了她的琴聲。二○○一年，上海之春國際音樂節中舉辦《羅小慈獨奏音樂會》，同時舉辦了其個人書畫展。多年來，她在繼承傳統的基礎上打破單一演奏的模式，運用多種藝術手段力圖呈現出箏的豐富內蘊。 LUO Xiao-ci LUO Xiao-ci was born in Taizhou City, Jiangsu Province. With the cultivation of her father, she began to learn painting and calligraphy at the age of five and the zheng at the age of seven. At the age of thirteen she was admitted to the affiliated middle school of Shanghai Conservatory. In the same year, she won the second prize of juvenile group in ART Cup China International Musical Instrument Contest. After she was graduated from the Shanghai Conservatory, she studied under professor YAN Ai-hua, GUO Xue-jun, HE Bao-quan and SUN Wen-yan, etc. During her study, she benefited a
管平湖 (GUAN Ping-hu)
管先生名平，字吉庵、仲康，號平湖，自稱門外漢，江蘇蘇州人。清代名畫家管念慈之子，生於一八九七年二月二日，一九六七年三月二十八日卒於北京。自幼酷愛藝術，彈琴學畫皆得家傳。其古琴藝術得九疑派楊宗稷、武夷派悟澄老人及川派秦鶴鳴等名琴家之真傳，博取三派之長，融會貫通，自成一家。其風格樸素豪放而雄健瀟灑，含蓄蘊藉而情趣深遠。其演奏《流水》一曲，尤特著名，獲「管流水」之美譽，一九七七年八月二十日，美國發射的「航行者」號衛星，將管氏此曲錄入噴金的世界名曲唱片中，使中國古琴首次響徹太空至今。 GUAN Ping-hu GUAN Ping-hu was born in Suzhou, Jiangsu Province. His first name was Ping, alias Ji-an, Zhong-kang and Ping-hu. However, he called himself the layman. He was born on February 2, 1897 and passed away on March 28,1967 in Beijing. He was the son of GUAN Nian-ci, a famous painter in the Qing Dynasty. Influenced by the family, he started to learn music since his childhood. He studied in depth the performing art of qin and was influenced significantly by YANG Zong-ji of the Jiu Yi School, Master Wucheng of the Wu Yi School and QIN He-ming of the Szechuan School. However, he combined the features of different schools and adopted the styles of folk music to create his own qin school of Guan. The st
羅晶 (LOU Jing)
青年古箏演奏家羅晶，一九七三年生於上海，十歲開始學習古箏，師從著名古箏演奏家，音樂教育家何寶泉、孫文妍夫婦。十三歲時，以優異成績考入上海音樂學院附中，一九九二年，升入上海音樂學院，一九九五年，進入上海民族樂團。在名師的嚴格訓練下，不斷推出新作，如《臨安遺恨》、《茉莉芬芳》及《川江情》、《苗山春》都成了她獨奏中之保留曲目，在演奏古箏傳統優秀曲目及新作品都有她獨特的見解和處理，這些均獲得專家們的一致好評。她多次獲獎，在年僅十二歲時，就獲得了上海市創新藝術獎及上海市兒童器樂比賽二等獎，一九八九年，在「ART杯中國樂器國際比賽」中榮獲第一名。一九九二年，獲「上海之春」音樂表演獎。一九九三年，榮獲了上海音樂學院的「傅成賢」獎學金。她還多次以獨奏演員身份隨上海藝術團訪問日本、新加坡、馬來西亞及香港等地演出。 LOU Jing LOU Jing was born in 1973 in Shanghai. She started to play zheng at ten years old under the tutorage of the well-known soloist and educator HE Bao-quan and SUN Wen-yan. When she was thirteen, she became a junior of Shanghai Conservatory. After graduation, she entered Shanghai Chinese Orchestra. With the co-operation of famous composers HE Zhan-hao and ZHOU Cheng-long, she won her fame by presenting the new pieces. She has distinguished approaches to the understanding and handling of the traditional as well as new masterpieces. Her performances win the praises of professionals and critics alike and won her many prizes. When she wa