野阪惠子
野阪惠子，著名日本箏演奏家，“二十弦箏的母親”，“生田流箏的女王”。其母是日本生田流箏演奏家野阪操壽，其夫是著名作曲家三木稔，其女也是青年日本箏演奏家小宮瑞代。野阪惠子從三歲便開始向母親學箏，1961年從東京藝術大學邦樂系畢業後,又進專攻系學箏。1964年，她舉辦了首次箏獨奏音樂會。至今她在日本各地和國外舉辦了上百次個人獨奏音樂會，錄製了十四套傳統和現代音樂的獨奏唱片集，三次榮獲藝術節優秀獎，她的足跡遍及歐洲、北美洲、大洋洲、東南亞，她那優雅的琴聲傳遍了世界。她是日本最大的民族音樂團體日本音樂集團的首席獨奏家，被稱為“日本音樂集團的精華”。她主持全日本野阪惠子流派箏的音樂會，並在東京音樂大學和名古屋音樂大學任教。
龍琴舫 (LONG Qin-fang)
龍琴舫先生，四川省成都市人，生於一八八八年，一九五九年病故於成都。嘗居成都梁山，自幼鍾愛操縵，十三歲開始師承蜀地霸派楊紫東，一九一二年設館授徒，一九五四年應聘為中央音樂學院民族音樂研究所特約演奏員。龍氏的操縵，指力強勁，按音堅實，輕重有度，吟猱得法，「齊撮」更具特點。尤擅操弄《搗衣》、《岳陽三醉》、《滄海龍吟》、《醉漁唱晚》、《漢宮秋月》、《陽春》等曲，而《滄海龍吟》一操，則與樂瑛所奏賈闊峰譜，實為同名異曲。 LONG Qin-fang was born in 1888 in Chengdu, Sichuan and passed away of illness in 1959 in Chengdu, Sichuan. He was fond of the qin since his childhood. When he was thirteen, he learned it under YANG Zi-dong of Sichuan School. In 1921, he began to teach the qin. In 1954, he was appointed to the Music Research Institute of Chinese Academy of Arts as a specially invited research fellow. His famous performances included Cleaning Clothes at the Riverside, Soaring at the Lake Dongting, Crying of the Dragon in Deep Blue Sea, Evening Song of the Drunken Fisherman, Autumn Moon over the Han Palace, Sunny Spring, etc.
山田明美
山田明美，出生於日本名古屋，自幼跟隨母親學習古箏，同時學習了約十年的鋼琴，受高中時認識的音樂老師影響，從小開始學習古箏。 1984年，加入日本音樂集團，並在那裡學習視唱，為大和武、小栗旬、八劍傳、輝夜姬演奏古箏。1993年作為結衣合奏團成員參加香港演出。歌劇《春金所》、《寂靜與義經》中的20弦古箏、《隅田川》、《草平》、民間歌劇《Terute and Oguri》、音樂劇《 Uyomizaru》等 。 1996年沖繩縣立藝術大學音樂學院兼職講師。 1997年為蒙特威爾第歌劇《波佩亞的加冕》（若杉浩指揮、市川佑近導演）演奏低音提琴。1998年中演奏古箏（松下功作曲《善光寺物語》。在 作為日本音樂集團成員參加 《布拉格之春》（捷克共和國）和法國的 演出聯合獨奏會與宮越惠子。目前，除了在以日本音樂團體為中心的現代日本音樂領域進行獨奏和合奏活動外，還在全國演出齋藤隆介的作曲，三木稔的《Belodashi Chonma》和三木稔的歌劇《歌》。 “Za”和“Yui Ensemble”，並參加了全國各地的演出。此外，還活躍於廣泛的表演活動中，例如主持“Akebi Sonokai”並專注於教導年輕一代。
王迪
王迪女士，北京人，一九二三年出生，二ＯＯ五年四月二十六日病逝於北京。從小喜愛操縵，拜在我國古琴大師管平湖門下學琴，深得真傳。一九五二年畢業於中央音樂學院，其後二十多年，一直留校工作，在該院所屬民族音樂研究所協助管平湖先生從事古琴研究工作；一九五六年與許健參加查阜西先生領導的三人小組，向全國琴人進行採訪、錄音、調查工作。由於王迪女士有深厚的琴藝基礎，又具系統的現代音樂知識，自六十年代以來，就致力於琴歌的發掘和打譜研究，經過辛勤的努力，把現代琴學的演唱藝術，邁出了可喜的一步。 WANG Di was born in 1923 in her ancestral home in Beijing and passed away of illness on April 26, 2005 in Beijing. She was fond of qin music since her childhood. She learned the qin under GUAN Ping-hu. She graduated from the Central Conservatory in 1952 and was on the researching staff of the Alma Mater for more then twenty years. In 1956, she joined ZHA Fu-xi and XU Jian to go through over 20 places in China for collecting qin materials and to record over 60 qin player’s performance in more than two hundred picecs of qin music. She was an expert on researching and rearranging of qinge.
王惠然 (WANG Hui-ran)
王惠然; 柳琴、琵琶演奏家、作曲家、指揮家王惠然，一九三六年十二月十日生於上海，原籍浙江鎮海。十三歲開始自學琵琶、月琴等彈絃樂器及蘇州彈詞。一九五三年，他不顧家庭反對，高中未畢業即輟學，先後入上海春江、群立、文華越劇團及山東單縣越劇團任職。一九五六年四月，入北京公安軍文工團，師從李廷松習琵琶。一九五八年七月，調濟南軍區前衛歌舞團民族樂團，歷任獨奏演員、彈撥樂聲部長、首席、教員、藝術指導、指揮等職。一九九七年，任珠海女子室內中樂團藝術總監、指揮。王氏為一級作曲、中國民族管弦樂學會常務理事、中國柳琴學會會長、作曲及指揮專業委員會常務理事。一九七五年，因手疾而放棄演奏生涯，轉投作曲與指揮。王氏的學生遍及中國二十多個省市，港澳台地區，以及美國、新加坡等地，培養出王紅藝、花曉榮（均為一級演奏員）徐仕瑛（高雄）林靜慧（台北）等一批高級人才。曾多次出任全國和國際比賽評委。 WANG Hui-ran WANG Hui-ran is a famous composer, conductor, instrumentalist and instrument reformer. He was born in Shanghai on December 10, 1936. Since his childhood, he has been very interest in traditional music. At the age of 13, he started to learn the pipa and yueqin by himself. He has taken part in various traditional musical activities including Chinese operas and ensembles, in which his solid foundation of traditional music was laid. He was admitted into the Beijing Military Orchestra as a pipa soloist in 1956. The orchestra w
劉麗 (LIU Li)
劉麗女士，一九六三年出生於上海，一九八八年畢業於中央音樂學院民樂系，後獲任中國音樂學院古琴教席。劉女士先後師徒古琴名家龔一、張子謙、李祥霆、吳景略、吳文光等，深得吳派琴學之精髓，演奏融各家之長，剛柔並濟，音色醇厚細膩，中央人民廣播電台、上海人民廣播電台，更曾先後作《劉麗演奏藝術》的專題介紹。 LIU Li was born in 1963 in Shanghai. After she graduated from the National Music Department of the Central Conservatory in 1988, she was the lecturer of qin of the China Conservatory. She studied the qin under GONG Yi, ZHANG Zi-qian, LI Xiang-ting, WU Jing-lue, WU Wen-guang, etc. Her performance reflects the quintessence of the Wu School blended with good qualities from other Schools. Her music has both strength and grace and her tone is rich and subtle. She has been very active in the music area of Beijing.
馬聖龍 (Ma Sheng-long)
馬聖龍: 琵琶演奏家、指揮家馬聖龍，一九三四年出生於上海一工人家庭，二○○三年病逝於上海。自幼在父親影響下學習江南絲竹。一九五○年，隨瞿東森習琵琶演奏。一九五一年，在上海楊浦區的絲竹活動中認識了陸春齡、周惠、周皓等人，常與之合樂而成為「清客串」，四人之「老搭檔」，今已被譽為江南絲竹「四大名宿」。一九五二年十月，馬氏等四人同入上海民族樂團，並任琵琶首席。一九五九年，兼任上海音樂學院琵琶教師，一九六○年，任上海民族樂團學館琵琶教師，一九七八年起，任該團專職指揮多年。早於一九五八年，其處女作，著名的琵琶曲《歡樂的日子》面世，次年又與顧冠仁合作，創作民族管弦樂作品《東海漁歌》，至今仍為海內外中樂團體常演奏之曲目。 MA Sheng-long In 1934, pipa performer, conductor, Ma Sheng-long was born in a Shanghai-worker’s family. In 1950, he learned the pipa from JU Dong-sen. In 1951, He played music together with LU Chun-ling, ZHOU Hui and ZHOU Hao. Later on they often gathered together and to be treated as “Four Famous Elders”. In October, 1952, MA and his three friends joined the Shanghai Traditional Orchestra and he became the pipa principal of the orchestra. In 1959, he was the pipa teacher of the Shanghai Conservatory. In 1960, he was the pipa teacher of the learning center of Shanghai Traditional Orchestr
龔幽蘭 (GONG You-lan)
龔幽蘭女士，一九七九年三月出生於上海，六歲隨父親龔一學琴，曾獲“敦煌杯–少兒民族樂器比賽”古琴演奏獎，二ＯＯ一年獲古琴考級「十級–優秀」的成績，又在二ＯＯ二年中國文化部舉辦的“中國古琴大賽”中，以《樓蘭散》一曲獲得青年業餘組“金獎”，並在中央電視台“風華國樂”中攝像播出。自二ＯＯ八年參加上海“九派琴院”的古琴教學實踐，積累了豐富的經驗，更於二Ｏ一一年夏天獲邀赴馬來西亞演出。 GONG You-lan was born in March 1979 in Shanghai. When she was six, she began to study the qin under her father GONG Yi and awarded a merit on the Duanhuang Cup – Competition of Chinese Traditional Instruments. In 2001, she achieved her goal to get highest mark in grade 10 of the Standard Qin Examination. In 2002, she performed the Tune of Loulan to get the gold-medal of Chinese Qin Competition organized by the Cultural Department of China. She has been very active in the music area of Shanghai.
劉楚華 (LAU Chor-wah)
劉楚華女士，一九五Ｏ年出生於香港，在大學修讀中國文學及哲學期間，對中國傳統音樂發生濃厚興趣，曾玩習多種絃樂器，其後盡棄前學，專意於琴道。一九七Ｏ年代初，追隨居港琴家蔡德允女史學琴，一直以來受她的德學修養所薰陶。一九八Ｏ年代，到國內遊歷，遍訪名家，先後得已故之張子謙先生及姚丙炎先生親為指授，自此開闊學藝視野，並逐漸形成個人之演奏風格。其特點在取音純美、雅潔，指腕活潑、靈敏，演繹流暢、自然，氣質秀逸，在怡然自得之中洋溢詩意的幽芳。 LAU Chor-wah was born in 1950 in Hong Kong. When she was studying Chinese Literature and Philosophy in the university, she became very interested in traditional Chinese music. After trying many string instruments, she decided to specialize in playing the qin. In the early 1970’s, she learned the qin under TSAR Teh-yun. In 1980’s, she travelled all over China an learned under many qin masters, and in particular received the guidance of ZHANG Zi-qian and YAO Bing-yin. Since then, her performing style has been gradually established. Her qin playing is characterized by refined tone, skilful fingering and natural interpretation.
劉德海 (LIU De-hai)
劉德海: 琵琶演奏家劉德海，一九三七年八月十三日生於上海，祖籍河北，二零二零年四月十一日病逝於北京。劉氏自幼學習琵琶等多種民族樂器，對中國民族、民間音樂接觸較早，為以後的發展打下了堅實的基礎。一九五四年起，先後從林石城、孫裕德、曹安和及楊大鈞習琵琶，一九五七年，進入中央音樂學院深造，同時接受系統的西方音樂教育。學習刻苦，成績優秀，畢業後留校從事琵琶教學工作，培養眾多優秀音樂人才。一九七零年，劉德海擔任中央樂團獨奏演員，經常參加國內外音樂會演出。一九七九年開始，他與著名指揮家小澤征爾及美國波士頓交響樂團三次合作，演出了琵琶協奏曲《草原小姐妹》等樂曲，並灌制了唱片。一九八一年以來，劉德海還與柏林交響樂團、德意志廣播交響樂團、新加坡交響樂團合作演出，他的高超技藝、獨特演奏風格和極大的演出熱情，吸引和征服了國內外廣大的聽眾。近二十年來，劉德海專攻西方近代哲學理論，相容中西，確立了「相容‧優選‧鼎立」——「金三角」哲學思想，拓展藝術思路和空間，由琵琶向室內樂、交響樂的領域發展。特別是他以新思想、新視角所構架的理論更具有普遍性和使用價值。劉德海是一位集演奏、教學、作曲、理論、指揮於一身，各領域皆有所業績的音樂大師，嘗任中國音樂學院教授。 LIU De-hai LIU De-hai was born on August 13, 1937 in Shanghai and passed away of illness on April 11, 2020 in Beijing. His ancestral home was Heibei province. He started to learn traditional instruments such as pipa at a very early age. This early contact with Chinese traditional and folk music laid a solid foundation for his future achievements. In 1957, LIU De-hai entered the Central Conservatory of Music of China for further study, where he received the education of west