金治中 (JIN Zhi-zhong)
金治中先生，字泓州，雲南省昆明市人，一九四八年十月八日出生，二ＯＯ七年七月九日逝世。金先生早年畢業於雲南省化工學校，在雲南洞經音樂世家長大，擅長琵琶、三弦等樂器。一九六九年調入雲南省京劇院，從事專業音樂工作；一九八Ｏ年，在中國戲劇學院進修；一九七Ｏ年起研習操縵，先後師從李祥霆，吳景略及吳釗；一九八九年調入昆明人民廣播電台，任主任音樂編輯。為中國琴會理事，北京古琴研究會會員，雲南滇暉琴社社長，昆明泓州古琴院院長。 JIN Zhi-zhong was born on October 8, 1948 and passed away on July 9, 2007. His first name was Hong-zhou and his ancestral home was in Kunming, Yunnan Province. He was born in a music family and was skillful at playing pipa and sanxian. In 1969, he took his career in the Beijing Opera House in Yunnan. In 1970, he learned the qin under LI Xiang-ting, WU Jing-lue and WU Zhao. In 1989, he was transferred to the People’s Broadcasting Station of Kunming as music editor.
林毛根 (LIN Mao-gen)
潮箏演奏家林毛根，一九二九年二月出生於廣東揭陽的潮樂世家，二○○七年六月八日在汕頭因病與世長遲，其父林道耀為揭陽著名的椰胡演奏家，林氏曾拜著名潮樂及漢樂演奏家張漢齋為師習箏。一九四九年，起林氏在潮汕地區，歷任文工團團長、文化館館長、音樂曲藝團團長、歌舞團團長等職。林氏以演奏潮樂「活五調」見稱，一九九二年，其演奏之《潮州民間箏曲40首》結集出版，所著述的《潮樂的風格與「活五調」》、《談潮州箏》、《談二四譜》等發刊於《中國音樂》及《民族民間音樂研究》。又曾與張漢齋、何天佑、楊廣泉等合作，灌錄有潮樂唱片多輯。 LIN Mao-gen LIN Mao-gen was born in February 1929 in Jieyang, Guangdong province and passed away of illness on June 8, 2007 in Shantou, Guangdong province. His father LIN Daoyao was a renowned musician of playing the Yehu. He learned the zheng under the famous musician ZHANG Han-zhai. In 1949, he joined the Chinese People’s Liberation Army of the Zhaoshan area, later was appointed as the head and manager of various artistic groups in that area. In 1992, the forty scores of his performances on the Chaozhou zheng music were published. Other articles related Chaozhou music were also be published on various publications. He had been making recordings with ZHANG Han-zhai, H
TANG Chien-yuan
唐健垣先生，廣東省南海縣人，一九四六年出生於香港，唐先生琴藝師承吳宗漢、王憶慈伉儷及孫毓芹等名家，又於一九八Ｏ年代從吳景略大師習操縵之藝，追求雅、淡、含蓄、和、靜、完整，極具個人演奏風格。唐氏曾分別獲得過國立台灣師範大學文學士、香港中文大學語言學（甲骨文）碩士、美國康州威士連大學民族音樂學博士，其著作有《琴府》等多部學術著作。唐氏研究興趣除古琴外，還包括民樂、戲曲、甲骨文、考古、紫砂壺、茶藝，堪稱“雜家”。 TONG Kin-woon was born in 1946 in Hong Kong. His ancestral home was in Nanhai, Guangdong Province. He learned the qin under WU Zong-han, WANG Yi-ci, SUN Yu-qin, etc. In 1980, he further studied under WU Jing-lue. He compiled and published the Book of Qin Music (Ch’in Fu). Apart from playing the qin, he also felt interest in many other subjects like Chinese traditional music and Chinese operatic songs, collection of teapots, etc.
趙登山 (ZHAO Deng-shan)
箏演奏家趙登山，一九三三年二月六月出生於古箏之鄉山東鄆城楊寺村，二零二一年二月二十五日病逝於長春市。趙氏原名趙述詩，十四歲隨王登吉學習墜胡，又向樊西雨學習古箏，一九五零年，又拜趙玉齋為師，一九五三年，入東北音專學習，一九五四年，入東北人民藝術劇院工作，後調往吉林省歌舞團，一九八零年代中，調吉林省民族樂團。趙氏早年即創作並演奏新箏曲《春到田間》及《歡慶節日》等，八十年代，作有著名箏曲《鐵馬吟》，該曲得到箏界重視，廣受歡迎。 ZHAO Deng-shan ZHAO Deng-shan was born on February 6, 1933 in Yuncheng, Shandong and passed away of illness on February 25, 2021 in Changchun. He was formerly named ZHAO Shu-shi. When he was fourteen, he learned the zhuihu from WANG Deng-ji and the zheng from FAN Si-yu. In 1950, he further studied the zheng under ZHAO Yu-zhai. In 1953, he was admitted to the Dong Bei Music Training School. In 1954, he was appointed to People’s Art House of Dong Bei, later transferred to the Song and Dance Troupe of Jilin Province. In mid of 1980, he was transferred to the Traditional Orchestra of Jilin Province. He had composed the new zheng pieces Spring in the Fields and Celebrating the Festival. In 1980’s, he composed the famous zheng piece Roar of Iron Horses which was well received by th
謝導秀 (ZIE Dao-xiu)
謝導秀先生，廣東省梅縣人，一九四Ｏ年出生於故鄉。謝先生一九六○年就讀於廣州音樂專科學校民樂系古琴專業，隨嶺南古琴名宿楊新倫學習操縵，得其真傳，尤特精擅《碧澗流泉》等嶺南派曲目，謝氏琴風古樸剛健，明快爽朗，對作育後進，不遺餘力，現任教於廣州星海音樂學院，並任廣東古琴研究會會長。 XIE Dao-xiu was born in 1940 in his ancestral home in Mei County, Guangdong Province. In 1960, he was admitted to the Guangzhou Conservatory to study the qin under YANG Xin-lun. He has inherited the arts of Lingnan School from his qin master. He was skillful in playing the Green Brook Running. He is now teaching the qin at Xinghai Conservatory in Guangzhou and also be the chairman of Guangdong Qin Association.
XU Tong-hua
胥桐華女士，原籍江蘇省丹陽市，一九Ｏ五年出生，一九六九年逝世。出身於船民家庭，其操縵學自蜀中鄭老先生，其後遷居揚州，又從胡氏習琴，因此兼善川派和廣陵派琴學藝術。一九五六年，應查阜西先生之邀參加全國琴人普查及錄音，她經常操奏的曲目有《醉漁唱晚》、《耕莘釣渭》、《普庵咒》、《漁樵問答》、《陽關三疊》、《梅花三弄》、《平沙落雁》等，查阜西先生曾對其彈奏的《平沙落雁》，評為“自成風格”。 XU Tong-hua was born in 1905 and passed away in 1969. Her ancestral home was in Danyang, Jiangsu Province. She learned the qin under an elderly man, Mr. ZHENG of the Sichuan School. After she changed her dwelling to Yangzhou, she learned the qin under master HU of Guangling School. In 1956, She was invited by ZHA Fu-xi to record down her performances which included Evening Song of the Drunken Fisherman, Cultivating at Shandong and Fishing at Shensi, Pu-an’s Incatation, A Dialogue between a Fisherman and a Woodcutter, Song of Yangguan, Three Variations of Plum Blossom, Wild Geese over the Calm Sands, etc.
蘇文賢 (SU Wen-xian)
潮州音樂家蘇文賢，一九○七年十二月一日出生於潮州，一九七一年八月十一日與世長辭，享年六十四歲。一九二六年，蘇氏在泰國曼谷一金鋪工作，其少東謝少圃正從潮州琵琶師祖洪沛臣習奏琵琶，蘇氏不時偷學，為謝發現並傳其技。同時每年返故里，更得洪沛臣高足「琵琶王」王澤如賜教，盡得洪沛臣之真傳。又向新加坡籍著名箏家鄭祝三習箏，得「雞啄粟」特技之真傳。一九五六年，應邀到東北音專（即今沈陽音樂學院）任教，一九五八年，廣州音樂專科學校成立，蘇氏調任古箏與二弦主科教師，其首先運用雙手彈箏的手法改編潮樂《天上梯變奏曲》，打破潮州傳統樂曲均由頭板、拷打、三板構成的板式格局，按同宮系統，用「魚咬尾」的傳統創作手法，連接一首樂曲的首尾，這一新的板式連接法，使之成為潮樂常用之演奏格式。 SU Wen-xian SU Wen-xian was born on December 1, 1907 in Chaozhou, Guangdong province and passed away of illness on August 11, 1971. In 1926, when he was working in a gold smith shop in Bangkok, Thailand, he had a chance to watch the young master XIE Shao-pu in learning the pipa with the well known pipa master HONG Pei-chen of the Chaozhou school and tried to learn by himself. Xie discovered this and let him studied with him. When he took his annual vacation every year at homeland, he further studied the pipa under WANG Ze-ru and also the zheng under ZHENG Zhu-san. In 1956, he was appointed to te
WU Zhen-ping
吳振平先生，字淡山，一九Ｏ七年出生於浙江省杭州市，一九七九年二月逝世於上海。吳先生為古琴家、音樂理論家，善金石、承西泠印泥家傳絕方。曾任上海文藝出版社音樂編輯；一九五六年上海音樂學院民樂系成立後，為第一任古琴教師；一九五七至一九六六年間，任上海“今虞琴社”社長之職。吳先生不僅是一位琴藝高超的琴家，更是一位具有深厚傳統文化和精湛琴學理論學養的學者。一九四九年後，成為中國第一位為電影（越劇《紅樓夢》）配古琴音樂的琴家。其琴風高古淡遠，為人謙和儒雅。先後發掘整理了琴曲《碣石調‧幽蘭》、《廣陵散》、《搔首問天》、《屈原問渡》、《流水》、《蘇門長嘯》等十餘首，又根據毛澤東詩詞而創作琴歌《沁園春‧雪》，曾發表《試談古琴曲的標題與形象》等論文。更不顧年邁體弱，在沒有錄音的條件下，不遺餘力地為姚丙炎記錄其打譜成果《琴曲鉤沉》。 WU Zhen-ping was born in 1907 in Hangzhou, Zhejiang Province and he passed away in February 1979 in Shanghai. He was a musician, a qin artist and preserved a secret formula to make red ink paste. He has been the music editor of the Shanghai Art Publishing Company. In 1956, He became the first man teaching the qin in the Shanghai Conservatory. From 1957 to 1966, he was appointed the chairman of the Jinyu Qin Musicians Association. In 1949, he has been the first person to play the qin in the films. His transcriptions on the qin included Orchid in Seclusion, in Jie Shi Diao, Guang Ling Verse, QU Yuan Sends Regards to the Sky, Getting
高自成 (GAO Zi-cheng)
山東箏家高自成，一九一八年十二月一日出生於山東省鄆城高莊一農家，二零一零年八月二十一日病逝於西安。鄆城為魯西南著名之古箏之鄉、嗩呐之鄉、曲藝之鄉。而高莊亦為鄆城一帶著名之「戲疙瘩」，鄉民甚好戲曲與音樂。高氏字銘勳，自幼喪母，亦好音樂，由彈箏高手的祖父高廣思及叔父高繼賢啟蒙，學奏箏、揚琴及唱琴書。六歲時，高氏入學堂念「洋書」，因家境不濟而輟學，但迷於箏藝。稍長，經同窗高克奇介紹，於每晚收工後，步行至相隔二十五里路的張坑村隨箏家張為昭習大板曲子，至深夜方歸，歷時三年。一九三一年，高氏又向由東北返故里之張為台、黃懷德，張念勝、黎連俊習箏與揚琴。一九三五年，又得王殿玉收為徒，並參加王氏之「東魯雅樂團」。一九五五年，入總政文工團，一九五七年，調西安音樂專科學校（後改西安音樂學院）任教，一九六二年，西安音樂學院聘河南箏家王省吾到校講課，高氏與王氏均發現河南箏與山東箏之曲調與風格甚為相近，有將兩者合為重奏之設想，歷經半年，編曲十首，定名為《魯豫大板套曲》，在西安曾有演出，一九八零年，再作整理完稿。一九八三年六月，「秦箏學會」在西安成立，高氏被選為該會會長。 GAO Zi-cheng GAO Zi-cheng was born 0n December 1,1918 in Yuncheng, Shandong province and passed away of illness on August 21,2010 in Xi’an. His first name was Ming-xun and he started to learn the zheng and yangqin from his grandfather GAO Guang-si and his uncle GAO Ji-xian since his childhood. Later, he was introduced by his classmate GAO Ke-qi to learn the zheng under ZHANG Wei-zhao who lived twenty five miles away from his home. In 1931, he further studied the zheng and yangqin under ZHANG Wei-tai, HUANG Huai-de,
繆琪女士
繆琪女士，出生於上海，八歲開始學習柳琴，並接受嚴格音樂教育。十一歲師從尹淑珠老師，學習琵琶。1977年考入中央音樂學院附中，師從王范地教授；1980年轉入中國音樂學院附中。1983年以優異成績，被保送進入中國音樂學院大學部，開始本科學習。在此期間，還師從林石城教授學習兩年。1987年，再以優異成績畢業於中國音樂學院民樂系，獲得學士學位。1987年，大學畢業後，繆琪進入全總文工團工作，擔任獨奏演員。1988年隨團出訪法國、德國等國家，擔任獨奏，獲得一致好評.次年。參加“山城杯”全國琵琶大獎賽，獲得二等獎。1990年移居瑞典。旅居海外的生活，使她對琵琶藝術有了更深的領悟。多年來，她孜孜以求撫琴不輟，經常被邀至瑞典國家級電台、電視台及博物館表演琵琶獨奏，亦被誠邀參加瑞典王室盛典演出。作為傑出華人琵琶演奏家，還多次被中國駐瑞典大使館邀請，出席外事慶典活動，傳播民族藝術精粹。繆琪的琵琶演奏亦文亦武（琵琶文曲和武曲），亦古亦今，細膩奔放。“繆琪的琵琶技巧深得真傳，又融會貫通”，這是一代琵琶大家王範地如是評價繆琪和她的琵琶藝術。